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	<title>Transcrit - Universit&#233; Paris 8</title>
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<item xml:lang="fr">
		<title>11 juin 2026 - Journ&#233;e scientifique de TransCrit</title>
		<link>https://transcrit.univ-paris8.fr/11-juin-2026-Journee-scientifique-de-TransCrit</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/11-juin-2026-Journee-scientifique-de-TransCrit</guid>
		<dc:date>2026-06-01T14:06:49Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;JOURNEE SCIENTIFIQUE DE TRANSCRIT &lt;br class='autobr' /&gt;
Jeudi 11 juin 2026 &lt;br class='autobr' /&gt; Campus Condorcet, B&#226;timent de recherche SUD, salle 0.015 (m&#233;tro ligne 12 - Front Populaire) &lt;br class='autobr' /&gt;
Programme : &lt;br class='autobr' /&gt;
Accueil caf&#233; : 9h30-10h &lt;br class='autobr' /&gt;
1) 10h-12h : atelier collectif autour de la valorisation : d&#233;finitions, pratiques et perspectives &lt;br class='autobr' /&gt;
D&#233;jeuner-buffet : 12h15-13h30 (terrasse de l'institut des Am&#233;riques, B&#226;timent Sud, 6e &#233;tage) &lt;br class='autobr' /&gt;
2) 13h30-14h30 : r&#233;unions d'axes - bilan annuel des activit&#233;s de chaque axe et perspectives &lt;br class='autobr' /&gt;
3) 14h30-15h15 (&#8230;)&lt;/p&gt;


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&lt;a href="https://transcrit.univ-paris8.fr/-Journees-d-etudes-workshops-" rel="directory"&gt;Journ&#233;es d'&#233;tudes &amp; workshops&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src='https://transcrit.univ-paris8.fr/local/cache-vignettes/L150xH101/capture_d_e_cran_2026-06-01_a_4.09_15_pm-2-0eedf.png?1780353732' class='spip_logo spip_logo_right' width='150' height='101' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;div style=&#034;caret-color: rgb(34, 34, 34); color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; text-align: center;&#034;&gt;JOURNEE SCIENTIFIQUE DE TRANSCRIT&lt;/div&gt;&lt;p style=&#034;caret-color: rgb(34, 34, 34); color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; text-align: center;&#034;&gt; &lt;/p&gt;
&lt;div style=&#034;caret-color: rgb(34, 34, 34); color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; text-align: center;&#034;&gt;Jeudi 11 juin 2026&lt;/div&gt;&lt;div style=&#034;caret-color: rgb(34, 34, 34); color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&#034;&gt;
&lt;div style=&#034;text-align: center;&#034;&gt;Campus Condorcet, B&#226;timent de recherche SUD, salle 0.015 (m&#233;tro ligne 12 - Front Populaire)&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Programme :&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Accueil caf&#233; : 9h30-10h &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;1) 10h-12h : atelier collectif autour de la valorisation : d&#233;finitions, pratiques et perspectives&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;D&#233;jeuner-buffet : 12h15-13h30 (terrasse de l'institut des Am&#233;riques, B&#226;timent Sud, 6e &#233;tage)&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;2) 13h30-14h30 : r&#233;unions d'axes - bilan annuel des activit&#233;s de chaque axe et perspectives &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;3) 14h30-15h15 : restitution de la concertation en axes&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Pause caf&#233; : 15h15-15h45&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;3) 15h45-17h : Point sur les &#233;v&#233;nements TransCrit &#224; venir + &#201;change collectif pour faire &#233;merger les axes scientifiques structurants du laboratoire&lt;/div&gt;
&lt;/div&gt;&lt;/div&gt;
		
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<item xml:lang="fr">
		<title>18 juin 2026 &#8211; &#034;La Religion en transition : du geste au discours&#034; / &#034;Religion in Transition : When Practice Reshapes Religious Discourse&#034;</title>
		<link>https://transcrit.univ-paris8.fr/18-juin-2026-La-Religion-en-transition-du-geste-au-discours-Religion-in</link>
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		<dc:date>2026-05-30T16:03:22Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;JOURN&#201;E D'&#201;TUDES CULTURE ET RELIGION DANS LES PAYS ANGLOPHONES &lt;br class='autobr' /&gt;
Avec le soutien de TransCrit/Paris 8, HDEA/Sorbonne Universit&#233;, CREA/Paris Nanterre, LERMA/Aix-Marseille Universit&#233;, Institut Universitaire de France &lt;br class='autobr' /&gt;
La Religion en transition : du geste au discours &lt;br class='autobr' /&gt;
Religion in Transition : When Practice Reshapes Religious Discourse &lt;br class='autobr' /&gt;
18 June 2026 &lt;br class='autobr' /&gt;
Institut d'Etudes Avanc&#233;es &lt;br class='autobr' /&gt;
17 quai d'Anjou, 75004 Paris &lt;br class='autobr' /&gt;
Programme &lt;br class='autobr' /&gt;
Accueil avec pause-caf&#233; /Welcome and coffee : 9h &lt;br class='autobr' /&gt;
9h30 &#8211; 11h30 (&#8230;)&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-Journees-d-etudes-workshops-" rel="directory"&gt;Journ&#233;es d'&#233;tudes &amp; workshops&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src='https://transcrit.univ-paris8.fr/local/cache-vignettes/L150xH110/capture_d_e_cran_2026-05-30_a_6.00_30_pm-e10b2.png?1780299964' class='spip_logo spip_logo_right' width='150' height='110' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p align=&#034;center&#034; style=&#034;text-align:center&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;JOURN&#201;E D'&#201;TUDES CULTURE ET RELIGION DANS LES PAYS ANGLOPHONES&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;text-align:center&#034;&gt; &lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;text-align:center&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;Avec le soutien de TransCrit/Paris 8, HDEA/Sorbonne Universit&#233;, CREA/Paris Nanterre, LERMA/Aix-Marseille Universit&#233;, Institut Universitaire de France&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;text-align:center&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:16.0pt&#034;&gt;La Religion en transition : du geste au discours&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;text-align:center&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-size:16.0pt&#034;&gt;Religion in Transition : When Practice Reshapes Religious Discourse&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;text-align:center&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;18 June 2026&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;text-align:center&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;Institut d'Etudes Avanc&#233;es&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;text-align:center&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;17 quai d'Anjou, 75004 Paris&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;text-align:center&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;Programme&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;Accueil avec pause-caf&#233;&lt;/span&gt;&lt;span lang=&#034;FR&#034; style=&#034;color:black&#034;&gt; /Welcome and coffee&lt;/span&gt;&lt;span style=&#034;color:black&#034;&gt; : 9h&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;9h&lt;/span&gt;&lt;span lang=&#034;FR&#034; style=&#034;color:black&#034;&gt;30&lt;/span&gt;&lt;span style=&#034;color:black&#034;&gt; &#8211; 11h&lt;/span&gt;&lt;span lang=&#034;FR&#034; style=&#034;color:black&#034;&gt;30&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt; &lt;li style=&#034;margin-bottom:16px; margin-left:56px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:list .5in&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;Dampi Somoko (Universit&#233; de Nantes, France) : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;p style=&#034;margin-left:96px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span style=&#034;color:black&#034;&gt;&#171; John Henry Newman : du geste &#224; la parole, itin&#233;raire spirituel d'un th&#233;ologien en transition &#187;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt; &lt;li style=&#034;margin-bottom:16px; margin-left:56px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:list .5in&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;Anne Dalles-Mar&#233;chal (Universite ? de Jean Monnet-Saint Etienne, France) : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;p style=&#034;margin-bottom:16px; margin-left:96px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;Adapting to Manchuria : Religious Challenges and Adjustments faced by the United Presbyterian Church of Scotland in North-Eastern China in the 1870s.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt; &lt;li style=&#034;margin-bottom:16px; margin-left:56px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:list .5in&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;Hanzhi Zhang, Yuanzhe Guo and Dan Lin (Leipzig, Allemagne / Renmin University, Beijing, Chine) : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;p style=&#034;margin-left:96px; text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;&#8220;Neo-Localization of Global Catholicism : An Ethnographic Study of an International Student Choir in Modern China&#8221;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;margin-left:96px&#034;&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;11h&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;30&lt;/span&gt;&lt;span style=&#034;color:black&#034;&gt; &#8211; &lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;11h50&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;Pause&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;-caf&#233; / Coffee break&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;1&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;1&lt;/span&gt;&lt;span style=&#034;color:black&#034;&gt;h&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;50&lt;/span&gt;&lt;span style=&#034;color:black&#034;&gt;-1&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;2&lt;/span&gt;&lt;span style=&#034;color:black&#034;&gt;h&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;50&lt;/span&gt; &lt;span lang=&#034;FR&#034; style=&#034;color:black&#034;&gt;Keynote paper&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt; &lt;li style=&#034;margin-left:78px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;Eyal Poleg, Queen Mary University of London, Royaume-Uni : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;p style=&#034;margin-left:96px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;&#8220;The Unintentional Rise of the Parish Bible&#8221;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;margin-left:96px&#034;&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;13h-14h &lt;b&gt;Buffet&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;color:black&#034;&gt;14h15 &#8211; 15h35 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt; &lt;li style=&#034;margin-left:56px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:list 71.4pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;Madhulika Sonkar (Indian Institute of Technology, Delhi, Inde) : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;p style=&#034;margin-left:96px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;&#8220;Re(doing) &lt;i&gt;deen &lt;/i&gt;and &lt;i&gt;dunya&lt;/i&gt; : Everyday Assemblages of Islam, Vocation, and Selfhood by Muslim women in Contemporary India&#8221;.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt; &lt;li style=&#034;margin-bottom:16px; margin-left:56px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:list 71.4pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt; Alizeh S. Ahmad (Emory University, &#201;tats-Unis) : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;p style=&#034;margin-left:96px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;&#8220;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&#034;color:black&#034;&gt;Reshaping Islamic Intellectual Life : Islam in English and the Lahore Ahmadiyya Movement&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;&#8221;. &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;15h&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;35&lt;/span&gt; &lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;&#8211; &lt;/span&gt;&lt;span style=&#034;color:black&#034;&gt;1&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;6h&lt;/span&gt;&lt;span style=&#034;color:black&#034;&gt; pause-caf&#233;&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt; / Coffee break&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;16h&lt;/span&gt; &lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;&#8211; &lt;/span&gt;&lt;span style=&#034;color:black&#034;&gt;17h&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;20&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt; &lt;li style=&#034;margin-bottom:16px; margin-left:55px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:list 71.4pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;Nao Nomura (Saitama University, Japon) : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;p style=&#034;margin-left:95px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;&#8220;From Solar Panels to Espresso Machines : Strategic Consumption Practices and the Negotiation of Amish Identity&#8221; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt; &lt;li style=&#034;margin-left:55px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:list 71.4pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;Nadia Malinovich (Universit&#233; Picardie Jules Verne / GSRL, France) : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;p style=&#034;margin-left:95px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;color:black&#034;&gt;&#8220;Traditional or Orthodox ? Moroccan Jewish Immigrants to Los Angeles Encounter the Strange New World of American Denominationalism (1950s to 2020s)&#8221;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt; &lt;span lang=&#034;FR&#034; style=&#034;color:black&#034;&gt;17h20-17h45 &lt;b&gt;Conclusions&lt;/b&gt; &#8211; R&#233;my Bethmont &amp; Nathalie Caron&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&#034;margin-bottom:3px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;Organisateurs &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;Journ&#233;e d'&#233;tudes organis&#233;e par R&#233;my Bethmont (Universit&#233; Paris 8 Vincennes-Saint Denis) et Nathalie Caron (Sorbonne Universit&#233;) avec le soutien de l'IEA de Paris.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&#034;margin-bottom:3px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;Partenaires &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;- Universit&#233; Paris 8 Vincennes-Saint Denis / Transcrit&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;- Sorbonne Universit&#233;/ HDEA&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;- Universit&#233; Paris Nanterre / CREA&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;- Aix Marseille Universit&#233; / LERMA&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;- Institut Universitaire de France&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&#034;margin-bottom:3px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;b&gt;Modalit&#233;s pratiques &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;Ev&#233;nement hybride :&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;- en pr&#233;sentiel &#224; l'IEA de Paris, Salles des Gardes-1er &#233;tage, 17 quai d'Anjou, Paris 4.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-autospace:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;Inscription obligatoire par mail : &lt;a href=&#034;mailto:nathalie.caron@sorbonne-universit.fr&#034; class=&#034;spip_mail&#034;&gt;&lt;span style=&#034;color:#dca10d&#034;&gt;nathalie.caron@sorbonne-universit&#233;.fr&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;- en ligne via le lien lien suivant : &lt;a href=&#034;https://univ-paris8.zoom.us/j/94435435629?pwd=fXRzX6EX4bNPIU9BPalmDxTl1C5mCT&#034; class=&#034;spip_out&#034; rel=&#034;external&#034;&gt;&lt;span style=&#034;color:#dca10d&#034;&gt;https://univ-paris8.zoom.us/j/94435435629?pwd=fXRzX6EX4bNPIU9BPalmDxTl1C5mCT&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="fr">
		<title>Publications et communications</title>
		<link>https://transcrit.univ-paris8.fr/Publications-et-communications-2594</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Publications-et-communications-2594</guid>
		<dc:date>2026-04-16T18:23:16Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;/&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-CHARLES-Roberto-" rel="directory"&gt;CHARLES Roberto&lt;/a&gt;


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;/&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="fr">
		<title>Pr&#233;sentation</title>
		<link>https://transcrit.univ-paris8.fr/Presentation-2593</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Presentation-2593</guid>
		<dc:date>2026-04-16T18:22:54Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;Roberto Charles a entam&#233;, en novembre 2025, une th&#232;se de doctorat en Litt&#233;ratures g&#233;n&#233;rales et compar&#233;es &#224; l'Universit&#233; Paris 8, apr&#232;s avoir obtenu un Master 2 en Philosophie et litt&#233;rature en codiplomation avec l'&#201;cole Normale Sup&#233;rieure d'Ha&#239;ti (ENS/UEH). Son parcours universitaire se situe &#224; l'intersection des &#233;tudes litt&#233;raires, de la philosophie et des th&#233;ories critiques, avec un int&#233;r&#234;t particulier pour les &#233;critures de soi et les probl&#233;matiques li&#233;es aux d&#233;placements, aux identit&#233;s et (&#8230;)&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-CHARLES-Roberto-" rel="directory"&gt;CHARLES Roberto&lt;/a&gt;


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p style=&#034;caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: arial, helvetica, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; margin: 0px;&#034;&gt;Roberto Charles a entam&#233;, en novembre 2025, une th&#232;se de doctorat en Litt&#233;ratures g&#233;n&#233;rales et compar&#233;es &#224; l'Universit&#233; Paris 8, apr&#232;s avoir obtenu un Master 2 en Philosophie et litt&#233;rature en codiplomation avec l'&#201;cole Normale Sup&#233;rieure d'Ha&#239;ti (ENS/UEH). Son parcours universitaire se situe &#224; l'intersection des &#233;tudes litt&#233;raires, de la philosophie et des th&#233;ories critiques, avec un int&#233;r&#234;t particulier pour les &#233;critures de soi et les probl&#233;matiques li&#233;es aux d&#233;placements, aux identit&#233;s et aux h&#233;ritages postcoloniaux.&lt;/p&gt;
&lt;p style=&#034;caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: arial, helvetica, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; margin: 0px;&#034;&gt;Sous la direction de la professeure Andr&#233;e-Anne Kekeh-Dika (HDR), son projet de recherche, intitul&#233;&lt;span&gt; &lt;/span&gt;&lt;em&gt;&#171; Exil, migration et postcolonialit&#233; dans les &#233;crits autofictifs de Dany Laferri&#232;re et de V. S. Naipaul &#187;&lt;/em&gt;, propose une analyse comparative des formes autofictives chez ces deux auteurs majeurs. &#192; travers l'&#233;tude de leurs &#339;uvres, il interroge les modalit&#233;s de repr&#233;sentation du sujet migrant, les tensions entre m&#233;moire, identit&#233; et alt&#233;rit&#233;, ainsi que les strat&#233;gies narratives mises en &#339;uvre pour penser l'exp&#233;rience de l'exil dans un contexte postcolonial.&lt;/p&gt;
&lt;p style=&#034;caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: arial, helvetica, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; margin: 0px;&#034;&gt;Ses travaux s'inscrivent dans une perspective interdisciplinaire, mobilisant &#224; la fois les &#233;tudes postcoloniales, la th&#233;orie de l'autofiction et les approches critiques de la subjectivit&#233;. Il s'int&#233;resse particuli&#232;rement aux formes hybrides d'&#233;criture, aux rapports entre fiction et autobiographie, ainsi qu'aux enjeux esth&#233;tiques et politiques de la mise en r&#233;cit de soi.&lt;/p&gt;
&lt;p style=&#034;caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: arial, helvetica, sans-serif; font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; margin: 0px;&#034;&gt;Par ailleurs, Roberto Charles est po&#232;te, nouvelliste et dramaturge. Son engagement dans la cr&#233;ation litt&#233;raire nourrit sa r&#233;flexion th&#233;orique, notamment autour des questions de voix, de m&#233;moire et de repr&#233;sentation. Il est &#233;galement actif dans le milieu culturel en tant qu'animateur, contribuant &#224; la diffusion et &#224; la valorisation des pratiques artistiques et litt&#233;raires.&lt;/p&gt;&lt;/div&gt;
		
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		<title>Contact</title>
		<link>https://transcrit.univ-paris8.fr/Contact-2595</link>
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		<dc:date>2026-04-16T18:22:20Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;roberto.charles03@etud.univ-paris8.fr&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-CHARLES-Roberto-" rel="directory"&gt;CHARLES Roberto&lt;/a&gt;


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;span style=&#034;caret-color: rgb(94, 94, 94); color: rgb(94, 94, 94); font-family: &#034;Google Sans&#034;, Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration: none; display: inline !important; float: none;&#034;&gt;roberto.charles03@etud.univ-paris8.fr&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="fr">
		<title>Publications</title>
		<link>https://transcrit.univ-paris8.fr/Publications-2560</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Publications-2560</guid>
		<dc:date>2026-04-10T12:23:02Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;Sur les po&#232;tes de la Jack Kerouac School of Disembodied Poetics &lt;br class='autobr' /&gt;
&#034;Probing the Borderland between Popular Music and Poetry : the Ballad as Protest in 'The Ballad of the Skeletons' by Allen Ginsberg, 'A Hard Rain's Gonna Fall' by Bob Dylan, and 'Ballad of a Bad Boy' by Patti Smith, Imaginaires, 28 (2025), (publication en 2026) &lt;br class='autobr' /&gt;
&#034;The Dharma Gaze of Poet Anne Waldman : an Interview on the Founding of Naropa University and its 'Infrastructure Poetics' &#187;, Revue Fran&#231;aise d'&#201;tudes Am&#233;ricaines, (&#8230;)&lt;/p&gt;


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&lt;a href="https://transcrit.univ-paris8.fr/-BECEL-Laurence-" rel="directory"&gt;B&#201;CEL Laurence&lt;/a&gt;


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Sur les po&#232;tes de la Jack Kerouac School of Disembodied Poetics&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:11.0pt 36.0pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#283033&#034;&gt;&#034;Probing the Borderland between Popular Music and Poetry : the Ballad as Protest in 'The Ballad of the Skeletons' by Allen Ginsberg, 'A Hard Rain's Gonna Fall' by Bob Dylan, and 'Ballad of a Bad Boy' by Patti Smith, &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#283033&#034;&gt;Imaginaires&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#283033&#034;&gt;, 28 (2025), (publication en 2026) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:11.0pt 36.0pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#283033&#034;&gt;&#034;The Dharma Gaze of Poet Anne Waldman : an Interview on the Founding of Naropa University and its 'Infrastructure Poetics' &lt;/span&gt;&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt; &#187;, &lt;i&gt;Revue Fran&#231;aise d'&#201;tudes Am&#233;ricaines&lt;/i&gt;, 2023/4 (N&lt;sup&gt;o&lt;/sup&gt; 177), p.110-126.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-GB&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&#034; 'Poethic&#8221;&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;background:white&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1c1e21&#034;&gt; particulars : Anne Waldman's Poetics of Detail in &lt;i&gt;Manatee/Humanity&#034;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt; , &lt;i&gt;&lt;span style=&#034;background:white&#034;&gt;&lt;span style=&#034;color:#1c1e21&#034;&gt;Synthesis&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style=&#034;background:white&#034;&gt;&lt;span style=&#034;color:#1c1e21&#034;&gt; 11 ; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href='https://ejournals.epublishing.ekt.gr/index.php/synthesis/article/view/20893' style=&#034;color:navy; text-decoration:underline&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;background:white&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;https://ejournals.epublishing.ekt.gr/index.php/synthesis/article/view/20893&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&#171; L'archivation po&#233;tique testimoniale et proleptique d'Anne Waldman &#187; ; Quaina 6, janvier 2015 ; (mise en ligne janvier 2017)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;em&gt;&lt;strong&gt;Sur Anne Sexton&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&#034;Folie, Fureur et Ferveur de la po&#233;tesse Anne Sexton&#034;, Le Book Club, Zo&#233; Sfez, Paris : France Culture, 25 mai 2025 ; &lt;a class=&#034;spip_url spip_out auto&#034; href='https://www.radiofrance.fr/franceculture/podcasts/le-book-club/folie-fureur-et-ferveur-de-la-poetesse-anne-sexton-5363956' rel=&#034;nofollow external&#034;&gt;https://www.radiofrance.fr/franceculture/podcasts/le-book-club/folie-fureur-et-ferveur-de-la-poetesse-anne-sexton-5363956&lt;/a&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:medium&#034;&gt;&lt;span style=&#034;font-family:Calibri, sans-serif&#034;&gt;&lt;span style=&#034;color:#000000&#034;&gt;&lt;span style=&#034;font-style:normal&#034;&gt;&lt;span style=&#034;font-weight:400&#034;&gt;&lt;span style=&#034;white-space:normal&#034;&gt;&lt;span style=&#034;text-decoration:none&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;, serif&#034;&gt;&lt;span style=&#034;letter-spacing:0.1pt&#034;&gt;&#034;Anne Sexton (1928-1974)&#034; dans H. Guillemain, &lt;i&gt;DicoPolHis&lt;/i&gt;, Le Mans Universit&#233;, 2025. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:11.0pt 36.0pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&#034;Anne Sexton : un itin&#233;raire po&#233;tique entre biographique, autobiographique et fiction de soi de &lt;i&gt;To Bedlam and Part Way Back&lt;/i&gt; &#224; &lt;i&gt;Transformations&lt;/i&gt;&#034; ; in G. Marche et V. Broqua (dir.), &lt;i&gt;L'Epuisement du Biographique ?, &lt;/i&gt;Newcastle-upon-Tyne, Cambridge Scholars, 2010, p. 368-384.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:11.0pt 36.0pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-GB&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt; &#034;Robert Lowell and Anne Sexton : confessional writing facing immoderation&#034; ;&lt;i&gt;GRAAT On-Line&lt;/i&gt; 10 ; 2011 &lt;span style=&#034;color:black&#034;&gt; ; &lt;/span&gt;&lt;/span&gt;&lt;a href='http://www.graat.fr/backissueimmoderation.htm' style=&#034;color:navy; text-decoration:underline&#034;&gt;&lt;span lang=&#034;EN-GB&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;http://www.graat.fr/backissueimmoderation.htm&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&#034;EN-GB&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&#034;Confession ou fiction de soi : la po&#233;sie testimoniale de Robert Lowell et Anne Sexton &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&#034;, 2012, &lt;a class=&#034;spip_url spip_out auto&#034; href='https://theses.hal.science/tel-01789005/' rel=&#034;nofollow external&#034;&gt;https://theses.hal.science/tel-01789005/&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="fr">
		<title>Contact</title>
		<link>https://transcrit.univ-paris8.fr/Contact-2561</link>
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		<dc:date>2026-04-10T12:01:58Z</dc:date>
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		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;laurence.becel@univ-paris8.fr&lt;/p&gt;


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&lt;a href="https://transcrit.univ-paris8.fr/-BECEL-Laurence-" rel="directory"&gt;B&#201;CEL Laurence&lt;/a&gt;


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<item xml:lang="fr">
		<title>Contact</title>
		<link>https://transcrit.univ-paris8.fr/Contact-2540</link>
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		<dc:date>2026-03-25T13:15:46Z</dc:date>
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		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;ines.zidi02@etud.univ-paris8.fr &lt;br class='autobr' /&gt;
ines.zidi1512@gmail.com&lt;/p&gt;


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&lt;a href="https://transcrit.univ-paris8.fr/-ZIDI-Ines-775-" rel="directory"&gt;ZIDI In&#232;s&lt;/a&gt;


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:11pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Arial&#034;,sans-serif&#034;&gt;&lt;a href=&#034;mailto:ines.zidi02@etud.univ-paris8.fr&#034; class=&#034;spip_mail&#034;&gt;&lt;span style=&#034;color:#1155cc&#034;&gt;ines.zidi02@etud.univ-paris8.fr&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:11pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Arial&#034;,sans-serif&#034;&gt;&lt;a href=&#034;mailto:ines.zidi1512@gmail.com&#034; class=&#034;spip_mail&#034;&gt;&lt;span style=&#034;color:#1155cc&#034;&gt;ines.zidi1512@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="fr">
		<title>Publications</title>
		<link>https://transcrit.univ-paris8.fr/Publications-2539</link>
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		<dc:creator>Anne-Lise Solanilla</dc:creator>



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&lt;p&gt;&#224; venir.&lt;/p&gt;


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&lt;a href="https://transcrit.univ-paris8.fr/-ZIDI-Ines-775-" rel="directory"&gt;ZIDI In&#232;s&lt;/a&gt;


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<item xml:lang="fr">
		<title>Pr&#233;sentation</title>
		<link>https://transcrit.univ-paris8.fr/Presentation-2538</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Presentation-2538</guid>
		<dc:date>2026-03-25T13:13:58Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;In&#232;s Zidi est doctorante &#224; l'Universit&#233; Paris 8 depuis septembre 2025, o&#249; elle pr&#233;pare une th&#232;se sous la direction de Mme Gwen Le Cor intitul&#233;e : &#8220;Analyse de discours des d&#233;bats autour de la restitution des Bronzes de Benin City expos&#233;s au British Museum : une analyse comparative en diachronie des ann&#233;es 1960 &#224; aujourd'hui&#8221;. &lt;br class='autobr' /&gt;
Apr&#232;s un Master de recherche en Domaines anglophones &#224; l'ENS Paris-Saclay pour lequel elle a d&#233;j&#224; travaill&#233; sur l'analyse de discours des d&#233;bats autour de la (&#8230;)&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-ZIDI-Ines-775-" rel="directory"&gt;ZIDI In&#232;s&lt;/a&gt;


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:11pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Arial&#034;,sans-serif&#034;&gt;In&#232;s Zidi est doctorante &#224; l'Universit&#233; Paris 8 depuis septembre 2025, o&#249; elle pr&#233;pare une th&#232;se sous la direction de Mme Gwen Le Cor intitul&#233;e : &#8220;Analyse de discours des d&#233;bats autour de la restitution des Bronzes de Benin City expos&#233;s au British Museum : une analyse comparative en diachronie des ann&#233;es 1960 &#224; aujourd'hui&#8221;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&#034;fr&#034; style=&#034;font-size:11.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Arial&#034;,sans-serif&#034;&gt;Apr&#232;s un Master de recherche en Domaines anglophones &#224; l'ENS Paris-Saclay pour lequel elle a d&#233;j&#224; travaill&#233; sur l'analyse de discours des d&#233;bats autour de la restitution des Marbres du Parth&#233;non et des Bronzes de Benin City au British Museum, ses recherches portent d&#233;sormais plus pr&#233;cis&#233;ment sur ces derniers et l'adaptation du discours mus&#233;al face aux critiques et questionnements. Son approche se veut interdisciplinaire en anglais de sp&#233;cialit&#233; et droit du patrimoine afin d'analyser les &#233;volutions linguistiques, notamment dans les discours sp&#233;cialis&#233;s.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
		
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