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	<title>Transcrit - Universit&#233; Paris 8</title>
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<item xml:lang="fr">
		<title>Publications</title>
		<link>https://transcrit.univ-paris8.fr/Publications-2560</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Publications-2560</guid>
		<dc:date>2026-04-10T12:23:02Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;Sur les po&#232;tes de la Jack Kerouac School of Disembodied Poetics &lt;br class='autobr' /&gt;
&#034;Probing the Borderland between Popular Music and Poetry : the Ballad as Protest in 'The Ballad of the Skeletons' by Allen Ginsberg, 'A Hard Rain's Gonna Fall' by Bob Dylan, and 'Ballad of a Bad Boy' by Patti Smith, Imaginaires, 28 (2025), (publication en 2026) &lt;br class='autobr' /&gt;
&#034;The Dharma Gaze of Poet Anne Waldman : an Interview on the Founding of Naropa University and its 'Infrastructure Poetics' &#187;, Revue Fran&#231;aise d'&#201;tudes Am&#233;ricaines, (&#8230;)&lt;/p&gt;


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&lt;a href="https://transcrit.univ-paris8.fr/-BECEL-Laurence-" rel="directory"&gt;B&#201;CEL Laurence&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Sur les po&#232;tes de la Jack Kerouac School of Disembodied Poetics&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:11.0pt 36.0pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#283033&#034;&gt;&#034;Probing the Borderland between Popular Music and Poetry : the Ballad as Protest in 'The Ballad of the Skeletons' by Allen Ginsberg, 'A Hard Rain's Gonna Fall' by Bob Dylan, and 'Ballad of a Bad Boy' by Patti Smith, &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#283033&#034;&gt;Imaginaires&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#283033&#034;&gt;, 28 (2025), (publication en 2026) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:11.0pt 36.0pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#283033&#034;&gt;&#034;The Dharma Gaze of Poet Anne Waldman : an Interview on the Founding of Naropa University and its 'Infrastructure Poetics' &lt;/span&gt;&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt; &#187;, &lt;i&gt;Revue Fran&#231;aise d'&#201;tudes Am&#233;ricaines&lt;/i&gt;, 2023/4 (N&lt;sup&gt;o&lt;/sup&gt; 177), p.110-126.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-GB&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&#034; 'Poethic&#8221;&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;background:white&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1c1e21&#034;&gt; particulars : Anne Waldman's Poetics of Detail in &lt;i&gt;Manatee/Humanity&#034;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt; , &lt;i&gt;&lt;span style=&#034;background:white&#034;&gt;&lt;span style=&#034;color:#1c1e21&#034;&gt;Synthesis&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style=&#034;background:white&#034;&gt;&lt;span style=&#034;color:#1c1e21&#034;&gt; 11 ; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href='https://ejournals.epublishing.ekt.gr/index.php/synthesis/article/view/20893' style=&#034;color:navy; text-decoration:underline&#034;&gt;&lt;span lang=&#034;EN-US&#034; style=&#034;background:white&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;https://ejournals.epublishing.ekt.gr/index.php/synthesis/article/view/20893&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&#171; L'archivation po&#233;tique testimoniale et proleptique d'Anne Waldman &#187; ; Quaina 6, janvier 2015 ; (mise en ligne janvier 2017)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;em&gt;&lt;strong&gt;Sur Anne Sexton&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:11.0pt 36.0pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&#034;Anne Sexton : un itin&#233;raire po&#233;tique entre biographique, autobiographique et fiction de soi de &lt;i&gt;To Bedlam and Part Way Back&lt;/i&gt; &#224; &lt;i&gt;Transformations&lt;/i&gt;&#034; ; in G. Marche et V. Broqua (dir.), &lt;i&gt;L'Epuisement du Biographique ?, &lt;/i&gt;Newcastle-upon-Tyne, Cambridge Scholars, 2010, p. 368-384.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;tab-stops:11.0pt 36.0pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;EN-GB&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt; &#034;Robert Lowell and Anne Sexton : confessional writing facing immoderation&#034; ;&lt;i&gt;GRAAT On-Line&lt;/i&gt; 10 ; 2011 &lt;span style=&#034;color:black&#034;&gt; ; &lt;/span&gt;&lt;/span&gt;&lt;a href='http://www.graat.fr/backissueimmoderation.htm' style=&#034;color:navy; text-decoration:underline&#034;&gt;&lt;span lang=&#034;EN-GB&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;color:black&#034;&gt;http://www.graat.fr/backissueimmoderation.htm&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&#034;EN-GB&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;font-family:&#034;Calibri&#034;,sans-serif&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&#034;Confession ou fiction de soi : la po&#233;sie testimoniale de Robert Lowell et Anne Sexton &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&#034;, 2012, &lt;a class=&#034;spip_url spip_out auto&#034; href='https://theses.hal.science/tel-01789005/' rel=&#034;nofollow external&#034;&gt;https://theses.hal.science/tel-01789005/&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="fr">
		<title>Contact</title>
		<link>https://transcrit.univ-paris8.fr/Contact-2561</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Contact-2561</guid>
		<dc:date>2026-04-10T12:01:58Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;laurence.becel@univ-paris8.fr&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-BECEL-Laurence-" rel="directory"&gt;B&#201;CEL Laurence&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;laurence.becel@univ-paris8.fr&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="fr">
		<title>Contact</title>
		<link>https://transcrit.univ-paris8.fr/Contact-2540</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Contact-2540</guid>
		<dc:date>2026-03-25T13:15:46Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;ines.zidi02@etud.univ-paris8.fr &lt;br class='autobr' /&gt;
ines.zidi1512@gmail.com&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-ZIDI-Ines-775-" rel="directory"&gt;ZIDI In&#232;s&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:11pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Arial&#034;,sans-serif&#034;&gt;&lt;a href=&#034;mailto:ines.zidi02@etud.univ-paris8.fr&#034; class=&#034;spip_mail&#034;&gt;&lt;span style=&#034;color:#1155cc&#034;&gt;ines.zidi02@etud.univ-paris8.fr&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:11pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Arial&#034;,sans-serif&#034;&gt;&lt;a href=&#034;mailto:ines.zidi1512@gmail.com&#034; class=&#034;spip_mail&#034;&gt;&lt;span style=&#034;color:#1155cc&#034;&gt;ines.zidi1512@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="fr">
		<title>Publications</title>
		<link>https://transcrit.univ-paris8.fr/Publications-2539</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Publications-2539</guid>
		<dc:date>2026-03-25T13:15:21Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;&#224; venir.&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-ZIDI-Ines-775-" rel="directory"&gt;ZIDI In&#232;s&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&#224; venir.&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="fr">
		<title>Pr&#233;sentation</title>
		<link>https://transcrit.univ-paris8.fr/Presentation-2538</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Presentation-2538</guid>
		<dc:date>2026-03-25T13:13:58Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;In&#232;s Zidi est doctorante &#224; l'Universit&#233; Paris 8 depuis septembre 2025, o&#249; elle pr&#233;pare une th&#232;se sous la direction de Mme Gwen Le Cor intitul&#233;e : &#8220;Analyse de discours des d&#233;bats autour de la restitution des Bronzes de Benin City expos&#233;s au British Museum : une analyse comparative en diachronie des ann&#233;es 1960 &#224; aujourd'hui&#8221;. &lt;br class='autobr' /&gt;
Apr&#232;s un Master de recherche en Domaines anglophones &#224; l'ENS Paris-Saclay pour lequel elle a d&#233;j&#224; travaill&#233; sur l'analyse de discours des d&#233;bats autour de la (&#8230;)&lt;/p&gt;


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&lt;a href="https://transcrit.univ-paris8.fr/-ZIDI-Ines-775-" rel="directory"&gt;ZIDI In&#232;s&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:11pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Arial&#034;,sans-serif&#034;&gt;In&#232;s Zidi est doctorante &#224; l'Universit&#233; Paris 8 depuis septembre 2025, o&#249; elle pr&#233;pare une th&#232;se sous la direction de Mme Gwen Le Cor intitul&#233;e : &#8220;Analyse de discours des d&#233;bats autour de la restitution des Bronzes de Benin City expos&#233;s au British Museum : une analyse comparative en diachronie des ann&#233;es 1960 &#224; aujourd'hui&#8221;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&#034;fr&#034; style=&#034;font-size:11.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Arial&#034;,sans-serif&#034;&gt;Apr&#232;s un Master de recherche en Domaines anglophones &#224; l'ENS Paris-Saclay pour lequel elle a d&#233;j&#224; travaill&#233; sur l'analyse de discours des d&#233;bats autour de la restitution des Marbres du Parth&#233;non et des Bronzes de Benin City au British Museum, ses recherches portent d&#233;sormais plus pr&#233;cis&#233;ment sur ces derniers et l'adaptation du discours mus&#233;al face aux critiques et questionnements. Son approche se veut interdisciplinaire en anglais de sp&#233;cialit&#233; et droit du patrimoine afin d'analyser les &#233;volutions linguistiques, notamment dans les discours sp&#233;cialis&#233;s.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="fr">
		<title>Contact</title>
		<link>https://transcrit.univ-paris8.fr/Contact-2552</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Contact-2552</guid>
		<dc:date>2026-03-08T14:08:41Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;Maryam.farnam@gmail.com&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-FARNAM-Maryam-" rel="directory"&gt;FARNAM Maryam&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;a rel=&#034;noopener&#034; style=&#034;color: rgb(34, 34, 34); caret-color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&#034;&gt;Maryam.farnam@gmail.com&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="fr">
		<title>Publications et communications</title>
		<link>https://transcrit.univ-paris8.fr/Publications-et-communications-2551</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Publications-et-communications-2551</guid>
		<dc:date>2026-03-08T14:08:15Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>

-
&lt;a href="https://transcrit.univ-paris8.fr/-FARNAM-Maryam-" rel="directory"&gt;FARNAM Maryam&lt;/a&gt;


		</description>


 <content:encoded>
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	</item>
<item xml:lang="fr">
		<title>Pr&#233;sentation</title>
		<link>https://transcrit.univ-paris8.fr/Presentation-2550</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Presentation-2550</guid>
		<dc:date>2026-03-08T14:08:04Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;Maryam Farnam est po&#232;te, traductrice litt&#233;raire et &#233;ditrice. Elle est titulaire d'un master en linguistique g&#233;n&#233;rale de l'Universit&#233; Allameh Tabataba'i (T&#233;h&#233;ran) et d'une licence en litt&#233;rature persane de l'Universit&#233; de T&#233;h&#233;ran. Depuis plus d'une d&#233;cennie, elle travaille &#224; l'&#233;dition et &#224; la m&#233;diation critique d'&#339;uvres majeures de la litt&#233;rature mondiale, de la philosophie et de la th&#233;orie critique traduites en persan. Ses recherches portent sur la traduction litt&#233;raire, la critique (&#8230;)&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-FARNAM-Maryam-" rel="directory"&gt;FARNAM Maryam&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p class=&#034;MsoBodyText&#034; style=&#034;text-align:justify; margin-top:12px; margin-bottom:12px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-justify:kashida&#034;&gt;&lt;span style=&#034;text-kashida:0%&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;Maryam Farnam est po&#232;te, traductrice litt&#233;raire et &#233;ditrice. Elle est titulaire d'un master en linguistique g&#233;n&#233;rale de l'Universit&#233; Allameh Tabataba'i (T&#233;h&#233;ran) et d'une licence en litt&#233;rature persane de l'Universit&#233; de T&#233;h&#233;ran. Depuis plus d'une d&#233;cennie, elle travaille &#224; l'&#233;dition et &#224; la m&#233;diation critique d'&#339;uvres majeures de la litt&#233;rature mondiale, de la philosophie et de la th&#233;orie critique traduites en persan. Ses recherches portent sur la traduction litt&#233;raire, la critique textuelle, la th&#233;orie du discours ainsi que sur les relations entre litt&#233;rature, id&#233;ologie et soci&#233;t&#233;. Elle a collabor&#233; avec de nombreuses maisons d'&#233;dition et contribu&#233; &#224; des revues culturelles.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="fr">
		<title>Pr&#233;sentation des Cahiers de TransCrit</title>
		<link>https://transcrit.univ-paris8.fr/Presentation-des-Cahiers-de-TransCrit</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Presentation-des-Cahiers-de-TransCrit</guid>
		<dc:date>2026-02-03T14:58:28Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;Collection HAL Les Cahiers de TransCrit &lt;br class='autobr' /&gt;
https://univ-paris8.hal.science/CAHIERSTRANSCRIT/ &lt;br class='autobr' /&gt;
La collection Les Cahiers de TransCrit accueille les travaux des membres de l'unit&#233; de recherche TransCrit (Transferts critiques anglophones) de l'universit&#233; Paris 8, tout particuli&#232;rement les articles issus des journ&#233;es d'&#233;tude internes organis&#233;es chaque ann&#233;e par le laboratoire. Lors de ces journ&#233;es, les membres de l'&#233;quipe sont invit&#233;.es &#224; pr&#233;senter des aspects de leur recherche en lien avec une (&#8230;)&lt;/p&gt;


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&lt;a href="https://transcrit.univ-paris8.fr/-Cahiers-de-TransCrit-" rel="directory"&gt;Cahiers de TransCrit&lt;/a&gt;


		</description>


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&lt;p style=&#034;text-align: center;&#034;&gt;&lt;span style=&#034;font-size: 14.000000pt; font-family: 'TimesNewRomanPS'; font-weight: 700; color: rgb(12.941180%, 14.509800%, 16.078430%)&#034;&gt;Collection HAL &lt;/span&gt;&lt;span style=&#034;font-size: 14.000000pt; font-family: 'TimesNewRomanPS'; font-weight: 700; font-style: italic; color: rgb(12.941180%, 14.509800%, 16.078430%)&#034;&gt;Les Cahiers de TransCrit&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align: center;&#034;&gt;&lt;br class=&#034;autobr&#034; /&gt;
&lt;span style=&#034;font-size: 12.000000pt; font-family: 'TimesNewRomanPS'; font-weight: 700; color: rgb(1.960784%, 38.823530%, 75.686280%)&#034;&gt;&lt;a class=&#034;spip_url spip_out auto&#034; href='https://univ-paris8.hal.science/CAHIERSTRANSCRIT/' rel=&#034;nofollow external&#034; target=&#034;_blank&#034;&gt;https://univ-paris8.hal.science/CAHIERSTRANSCRIT/&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align: center;&#034;&gt; &lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-justify:inter-ideograph&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;La collection &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPS&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;Les Cahiers de TransCrit &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;accueille les travaux des membres de l'unit&#233; de&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;recherche &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPS&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;TransCrit &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;(Transferts critiques anglophones) de l'universit&#233; Paris 8, tout&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;particuli&#232;rement les articles issus des journ&#233;es d'&#233;tude internes organis&#233;es chaque ann&#233;e par le&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;laboratoire. Lors de ces journ&#233;es, les membres de l'&#233;quipe sont invit&#233;.es &#224; pr&#233;senter des aspects&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;de leur recherche en lien avec une th&#233;matique choisie collectivement, l'objectif &#233;tant de faire&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;dialoguer les sp&#233;cialistes des nombreuses sous-disciplines pr&#233;sentes au sein des &#233;tudes&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;anglophones (civilisation et histoire, langue de sp&#233;cialit&#233;, linguistique et phon&#233;tique, litt&#233;ratures&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;et arts, recherche-cr&#233;ation, traduction et traductologie, etc.).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-justify:inter-ideograph&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;b&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPS&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;Les Cahiers de TransCrit &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;ont donc pour vocation premi&#232;re de rendre compte de l'actualit&#233;&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;des recherches plurielles men&#233;es dans le cadre du projet scientifique g&#233;n&#233;ral propre au&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;laboratoire et de valoriser le dynamisme des travaux les plus contemporains en permettant la&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;parution rapide d'articles et de textes de formats divers.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;text-align:justify&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;text-justify:inter-ideograph&#034;&gt;&lt;span style=&#034;font-family:&#034;Times New Roman&#034;,serif&#034;&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;Les &#233;quipes organisatrices des diff&#233;rentes journ&#233;es d'&#233;tude se chargent du travail &#233;ditorial&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;n&#233;cessaire pour garantir &#224; chaque dossier des &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPS&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;Cahiers de TransCrit &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;la rigueur scientifique&lt;/span&gt;&lt;/span&gt; &lt;span style=&#034;font-family:&#034;TimesNewRomanPSMT&#034;,serif&#034;&gt;&lt;span style=&#034;color:#1e2328&#034;&gt;d'une revue universitaire.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="fr">
		<title>Assembl&#233;e g&#233;n&#233;rale de TransCrit &#8211; 5 f&#233;vrier 2026</title>
		<link>https://transcrit.univ-paris8.fr/Assemblee-generale-de-TransCrit-2026</link>
		<guid isPermaLink="true">https://transcrit.univ-paris8.fr/Assemblee-generale-de-TransCrit-2026</guid>
		<dc:date>2026-02-02T19:38:01Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Anne-Lise Solanilla</dc:creator>



		<description>
&lt;p&gt;Assembl&#233;e G&#233;n&#233;rale de TransCrit &lt;br class='autobr' /&gt;
Jeudi 5 f&#233;vrier 2026, 10h-12h &lt;br class='autobr' /&gt;
Universit&#233; Paris 8, Campus de Saint-Denis, salle A2-204 &lt;br class='autobr' /&gt; Bilan des activit&#233;s 2025 Pr&#233;sentation du premier num&#233;ro des Cahiers de TransCrit (Brigitte F&#233;lix, Juliette Bourdin et Anna Acquistapace) Point service de la valorisation (Sydney Ouemba Mafeu) Budget 2026 Point veille scientifique (Fath&#233; Manseur) Point doctorants : bilan 2025 et perspectives 2026 (Jeanne Baudon et Ahmadreza Tavasoli) Perspectives 2026 : (&#8230;)&lt;/p&gt;


-
&lt;a href="https://transcrit.univ-paris8.fr/-Autres-evenements-" rel="directory"&gt;Autres &#233;v&#233;nements&lt;/a&gt;


		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p align=&#034;center&#034; style=&#034;margin-left:38px; text-align:center; margin-bottom:11px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-family:Poppins&#034;&gt;Assembl&#233;e G&#233;n&#233;rale de TransCrit&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;margin-left:38px; text-align:center; margin-bottom:11px&#034;&gt; &lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;margin-left:38px; text-align:center; margin-bottom:11px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Jeudi 5 f&#233;vrier 2026, 10h-12h&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align=&#034;center&#034; style=&#034;margin-left:38px; text-align:center; margin-bottom:11px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;b&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Universit&#233; Paris 8, Campus de Saint-Denis, salle A2-204&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;margin-bottom:11px&#034;&gt; &lt;/p&gt;
&lt;ol&gt; &lt;li style=&#034;margin-left:22px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Bilan des activit&#233;s 2025 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt; &lt;li style=&#034;margin-left:22px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Pr&#233;sentation du premier num&#233;ro des Cahiers de TransCrit (Brigitte F&#233;lix, Juliette Bourdin et Anna Acquistapace)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt; &lt;li style=&#034;margin-left:22px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Point service de la valorisation (Sydney Ouemba Mafeu)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt; &lt;li style=&#034;margin-left:22px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Budget 2026&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt; &lt;li style=&#034;margin-left:22px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Point veille scientifique (Fath&#233; Manseur)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt; &lt;li style=&#034;margin-left:22px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Point doctorants : bilan 2025 et perspectives 2026 (Jeanne Baudon et Ahmadreza Tavasoli)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt; &lt;li style=&#034;margin-left:22px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Perspectives 2026 : &#233;v&#233;nements &#224; venir&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt; &lt;li style=&#034;margin-left:22px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Discussion scientifique autour des axes de TransCrit&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt; &lt;li style=&#034;margin-left:22px; margin-bottom:11px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;&#201;changes autour de la Journ&#233;e de TransCrit de novembre 2027&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;&lt;p style=&#034;margin-left:38px; margin-bottom:11px&#034;&gt; &lt;/p&gt;
&lt;p style=&#034;margin-left:38px; margin-bottom:11px&#034;&gt;&lt;span style=&#034;font-size:12pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:&#034;Aptos&#034;,sans-serif&#034;&gt;&lt;span lang=&#034;FR&#034; style=&#034;font-size:10.0pt&#034;&gt;&lt;span style=&#034;line-height:115%&#034;&gt;&lt;span style=&#034;font-family:Poppins&#034;&gt;Nous serons heureux de vous retrouver tous et toutes autour d'un buffet convivial &#224; l'issue de l'AG.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&#034;margin-left:38px; margin-bottom:11px&#034;&gt; &lt;/p&gt;&lt;/div&gt;
		
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