FOGELS Audrey (MCF)

Associate Professor, 19th century American Literature

Diplomas & titles

  • Doctorate from the University of Paris 4 - Sorbonne (1997). Mention TB, Félicitations
  • Agrégation d’anglais (option littérature) (1993). Ranking : 13th
  • Bachelor of Arts, English and American Literature, Brown University, USA, Magna Cum Laude. (1991)

Research areas

  • 19th century American Culture and Literature
  • Women writers : Emily Dickinson, Sarah Orne Jewett, Mary Wilkins Freeman, Elizabeth Stoddard, Harriet Beecher Stowe
  • American literature ; private/political ; gothic literature

Audrey FOGELS is Associate Professor of American literature at the University of Paris 8-Saint Denis in Paris and belongs to the research team TransCrit. Her research focuses on nineteenth century American women’s literature and on the tensions at work in (re)-defining American identity in the long nineteenth century. She is interested in gender studies, post-colonial theory and the link between literature and politics. Her areas of interest also include the articulation between the domestic and the national as well as the cultural power of the gothic tradition. She has published articles on Mary E. Wilkins Freeman, Sarah Orne Jewett and Elizabeth B. Stoddard. Her current project is on the (de) construction of an American imagined community in Elizabeth Stoddard’s Two Men (1865).

Selected list of recent publications and communications:

  • Deconstructing Middle Class Rites and Rituals : Reading Mary Wilkins Freeman close against Harper’s Bazaar, American Periodicals, (forthcoming)
     
  • "Spectral Visions of America in Elizabeth Stoddard’s Boots (1869)", Revue Française d’Etudes Américaines, numéro 142, 2015.
     
  • "The Fertile Tensions of Multiple Heritages in Elizabeth Stoddard’s ’Collected by a Valetudinarian’, (1870), Cambridge Scholars Publishing, 2014.
     
  • The Performance and Pedagogy of sentiment in Harrier Beecher’s Stowe, The Minister’s Wooing, Congrès AFEA, 2013.
     
  •  “Strange Sights and Sounds” : Indirection and the rhetoric of the feminine in Mary E. Wilkins Freeman’s Haunted Houses, Transatlantica, Semestre I, 2012.
     
  • “Like Ulysses, I am part of all that I have seen” : Fertile tensions in Elizabeth Stoddard’s imagined community, Congrès, AFEA, 2012.